by Andrea Saravia Pérez
Heard of a boy
Who lived down under
In a box of lumber
Hidden in soil.
So his soul would rise
For demise was not enough
To keep him away
From one more dance.
A Journal of Literary Oddities
Heard of a boy
Who lived down under
In a box of lumber
Hidden in soil.
So his soul would rise
For demise was not enough
To keep him away
From one more dance.
i have no car
and i’m in desperate need
of a ride
and i’d like you
to be the one to drive me
crazy
over the edge
off the cliff
straight into the mindless abyss
of ecstasy
i want to be the hitchhiker
you pick up
on the side of the highway
that has so many names
call it what you like
i’m well beyond
shame and shyness now
all i know
is that you’re driving
the car i want to ride in
around every curve
and straight on into forever
let me slide in beside you
we’ll drive cross-country
to places neither of us has ever been
RC deWinter’s poetry is anthologized, notably in New York City Haiku, Coffin Bell Two, Winter Anthology: Healing Felines and Femmes, and Now We Heal: An Anthology of Hope. It also appears in2River, Event, Meat For Tea: The Valley Review, the minnesota review, Night Picnic Journal, Prairie Schooner, Southword, and Yellow Arrow Journal, among others, and appears in numerous online literary journals.
Mark Niedzwiedz
I wonder who lives in the house
with the bright red chimney. Someone must,
for on cold winter mornings,
smoke bellows from the stack,
and the smell of freshly baked bread
stops me in the thaw and snap.
So, I linger for a moment
and stare at this dreamy abode,
lit by the soft edges of snow clouds
and the sun a pale embroidered gold.
All is well with the world then I say to myself.
All is well in the house with the red chimney.
I wonder who lives in the house
with roses around the door. Someone must,
for come late bloom,
peckish birds gather, flock
to taste the plum tree garden
and jam from the pantry pot.
So, I wait at the kissing gate
to see who drinks the cooled barley,
who hangs the crisp, cotton sheets.
Then comes a girl to peg the sky, a threadbare carpet beat.
All is well with the world then I say to myself.
All is well in the house with the red chimney.
I wonder who lives in the house
with the bright red chimney. Someone must,
for you were built to silence the soulless city,
smash the concrete slab, my daydream cottage
with honeysuckle borders
and thick soup made from pottage.
So, if you glimpse me at the fence,
tap my shoulder, then with muddy boots we’ll tread
the creaky stairs, the homely rooms,
and rest our weary bones on a soft feather bed.
All is well with the world then I say to myself.
All is well in the house with the red chimney.
Amanda Tumminaro
First, Mary will pick at your brain,
till you feel like a lab rat
rushed down the drain.
You’re a fad, and she takes out her Nikon
to make you feel so utterly diseased,
till Susan Atkins considers you her personal icon.
Second, Mary will pick up your clothes and ask,
“Why are you such a ragamuffin?”
She’ll then look about for the steel of your flask,
and throwing up her hands, she will be frustrated.
Dangling a gold coin before you—
this is how she is compensated.
Finally, she’ll pick your heart like a flower
and check it like a pocket watch
every quarter of an hour.
Though she senses no strut in her stroll,
she wants to know for certain
that there’s no guard on your patrol.
Ifeoluwa Ayandele
My mind is a wandering star, travelling
through illustrations & re-thinking how
to redraw the graffiti of my ancestors.
My ancestors are people of drums & dance,
& in my dream, I’m initiated into the occult
of the calligraphy of an hourglass-like drum.
My grandfather leaves indigo footprints
in the marble floor to teach me how the paths
of music intertwine into choreographic steps
on the hilltop. I place my feet on his footprints,
& my mind glows into a slithering memory
of the polyrhythmic drum in my dreams.
I’m in the forest of gods; I beat my ancestral drums,
& my ancestors hear the melody of my call.
Their ghosts gather around the tantrum of rhythms,
dancing around my naked being & chorusing:
You are the son of the Earth & the stars in your mind
are constellation of echoing corridors. Walk through
the echoes & pick your roots from the interlocking
sounds of footsteps in the corridors of your ancestral
gods, & you will unravel the myth of rebirth in drums.
Holly Day
we were going to take the boat out, sail
to the edge of the world, tease
the monsters waiting there with our
bare, dangling feet, toes tickling the ocean skin
like tiny pink fish
but you had to go and ruin it
chase shore-hugging mermaids instead
had to search clam-shell bikinis for pearls
find out where baby mermaids come from
we were going to become pirates
treasure hunters, world explorers
wrestle giant squid at the world’s edge
find the fountain of youth
but you had to go and spoil everything
in your search for suburban normalcy
chase dreams of apron-clad mermaids
who’d give up their kingdoms for you
David Romanda
how do snails have sex?
if I learn to pray with my full being
will God materialize in the room
and maybe sit on the edge of the bed?
murder couldn’t ever be truly satisfying, right?
should I or shouldn’t I mention
my epilepsy on the first date?
does anyone really win big on scratch lotto tickets?
do I love myself unconditionally?
what time is it?
Catherine Coundjeris
Her mind has spaces
that we fill
with gratitude
for days gone by.
We hold for her
a lifetime of
conversations,
stories told.
We carry
the goblet of her memories.
We sip our thoughts,
taking small bites
of daily bread,
quiet times spent
together.
Philip Deal
When we’re done for good,
we leave behind an unopened box
of colored pencils, two brand new tubes
of cadmium red,
a set of new brushes
bought at full price,
a tube filled with
delicate silk paper, never tried.
This is not waste.
This is our final piece:
Optimism.
Gavin Bourke
Landed into the midst,
ensuing chaos.
Exaggerated connections,
heart-sink presence.
Cynicism and entitlement
Severed from the natural, human relationship.
Emotional shrapnel inside the urn,
carried by the pallbearer.
No longer to be ventriloquized,
alcohol seeping through the cracks
of the last few generations.
Induced Alzheimer’s in a mother,
cared for by her unmarried daughter.
He walked through the working life,
causing scars to bleed,
closer to savagery than those
in the vicinity.
A broken father stood in a doorway,
in the darkness, for over 20 years.
Carried the anger, through the social world,
harnessed by Valium’s touch,
carrying inherited darkness that
never was hers.
From father to son and so on,
throughout each new generation,
traits in common.
Knowingly and unknowingly bringing
the weight of unwarranted aggression
to bear on every situation.
Dysfunctional frameworks,
paradigms passed down from the rotting wood
of successive staircases.
Selfish emotional terrorism,
oft rewarded by the modern organization.
Emphasis on cute bureaucrat,
the enemy of statute.
The movement of the body and eyes,
mismatching language.
The departures of form from semantics
under well-dressed hides.
Privilege without responsibility.
Deeper into valleys of narcissism,
schisms of aggression, never contented,
mottled mind.
Couldn’t live with this anymore,
a father and blackening suns.
Barking in hallways,
through watering eyeballs,
with persistent rancor at everyone
and no one in particular.
Left blood on autumn leaves,
results of peculiar anger
and personalities disordered.
Ethanol breath,
condensation around brass pendulums.
Fell like the blackest slugs,
from stalactites to stalagmites
in darkened caves,
through the generations
on his father’s side.
In chain mail,
draining those in close proximity.
Killings with pens and phones and keystrokes,
the black filth of back-office politics.
Twisted in online abysses,
morbid self-interest, records amiss,
the stock in trade
of negative diatribes.