Soil Was Not Enough

     by Andrea Saravia Pérez

Heard of a boy

Who lived down under

In a box of lumber

Hidden in soil.

So his soul would rise

For demise was not enough

To keep him away

From one more dance.

Pasture Statues

     by Alfredo Salvatore Arcilesi

Millie mooed.

Cate mooed with her.

The cow stared at them.

Millie giggled at the old joke, a pure, authentic song.

Cate giggled with her, exaggerated, trembling notes.

The cow stared at them.

Millie continued to pet the cow’s cheek. Cate stroked the other, looking for signs of impatience in the otherwise stoic animal, searching its blank yet somehow knowing eyes for knowledge of her charade. What made her want to release the scream that had been lodged in her throat for inconceivable minutes was how Millie, sitting comfortably in her numb arms, was so far away from screaming; Millie, who had every justification for adding her shrill voice to the one behind them.

She hadn’t asked Millie if she was all right; doing so would have given her the impression something was wrong. She hadn’t asked Millie her actual name; as far as the little girl’s amiable behaviour indicated, they had known each other all their lives, and names didn’t matter. She hadn’t asked Millie her age; from the moment she took the little girl into her arms, she could tell the small human being was no older than her career.

Three-years-old​, Cate mused again, as she transferred Millie from one desensitized arm to the other, careful not to break contact with the cow. Three years​​, and once again she imagined the retirement banner, growing longer and larger as the idea cooked in her mind, advertising the pitiful number.

Cate was grateful for the brown-and-white animal’s presence. Moreover, she was grateful that the cow was the first thing Millie had noticed. She wouldn’t have thought to mosey on over to the cow; instinct—training—would have told her to immediately transport the dishevelled little girl to her car; and there they would have waited for the next routine steps. And then she would’ve known something was wrong​, she thought. And then she would’ve started screaming​​.

A scream perforated the ambience, a cocktail of pain, fear… and perhaps a note of anger.

“Mooooo!” Cate issued her loudest impersonation yet. Millie echoed her sentiments, prolonging and exaggerating the bovine language until it devolved into more giggling.

Another scream smothered the laughter, and, for a terrible moment, Cate thought she felt

Millie stiffen; thought she saw registration on the little girl’s suddenly sagging face.

“Moo mooooo moo moo moo mooooo moo,” Cate interjected, the single word spoken in the rhythm of conversation. She fixed upon Millie’s eyes, hoping the little girl would take the bait, ready to shift her little body should she decide to go peeking behind her back toward the scream.

Millie’s bowed lips glistened, saliva pooling as she gathered her thoughts about the conflicting sounds. Cate readied her own lips with another string of nonsensical cow-speak, when Millie broke out of her trance, and fired off a meaningless statement of her own: “Mooooo mooooo mooooo”—laughter— “mooooo moo moo moo.”

Relieved, Cate kept the dialogue flowing for as long and as loud as was necessary to beat the intermittent screaming from Millie’s ears. As their banter rose and fell with the outbursts behind them, she imagined how the others must have seen them: vulnerable backs; a revolving red light highlighting Millie’s arms wrapped comfortably—​Or is she in shock? ​ Cate couldn’t decide—around her neck; mooing from unseen lips; the cow itself unseen, blocked by their combined bodies. How unreal it must have appeared to them.

How grotesquely real it was to her.

How beautifully real it was to Millie.

A terrible thought returned Cate to their cozy huddle: ​This is your first time, isn’t it? ​ The scream she struggled to keep deep down in her gorge threatened to erupt. It occurred to her that this​ cow—not the pair grazing further down the fence, dangerously close to the break; not the calf flanked by several adults; not the others standing nonchalantly, laying nonchalantly, living nonchalantly; not the countless others that might have been a blur in Millie’s passenger window—but ​this​ cow might very well have been the ​very first​ cow Millie had ever seen.

Cate mooed, and wondered if Millie could detect the underlying melancholy. ​You don’t need to meet a cow​, she desperately wanted to assure the little girl.  ​Not now. Not like this​. She was certain that when Millie was one day no longer a size fit for one’s arms—​there’s no guarantee of that​, Cate sadly reminded herself—she might learn to hate the cow. ​All​ cows. The way Cate hated them for what they had done to Millie. To her.

To Millie’s mother.

The human sounds behind them were less frequent now, quieter, the pain, the fear, the anger—if ever there was—giving themselves to realization. Cate hoped Millie’s mother would soon forget how to scream. This line of thinking was drenched in selfishness, but Cate had accepted it for now; may guilt torment her later. It was just that she and, more importantly, the cow had worked so damned hard to keep Millie occupied. Or are ​we keeping the cow occupied? ​Cate thought for the first time.

She looked into the animal’s eyes, glossy black islands surrounded by thin halos of bloodshot white. Pulses of red light, rotating like an angry lighthouse—an eye of its own—searched those eyes, much as Cate was doing now, for knowledge.

Do you see the red light?​ she mentally transmitted to the cow. Do you understand it? Did you see what happened before the red light? Do you understand what happened?

The cow stared.

Do you understand that this little girl I’m holding, the one mooing at you, the one petting your face… do you understand that her mother is the one who killed your calf?

Based on its indifference, she couldn’t tell if the calf was blood-related to the cow. Would he or she—Cate couldn’t tell which—bite Millie if it understood the situation behind them? Would he or she reconsider biting if it understood the whole thing had merely been a matter of a broken fence? Would he or she refrain from seeking revenge upon Millie if it understood that the calf had wandered through the broken fence, onto the asphalt, and before Millie’s mother’s car? Would he or she rethink their potential bite if it understood that Millie’s mother had, from the looks of the finale, done her best to avoid the calf, but instead clipped its behind, sending her speeding vehicle into the ditch? Would he or she accept that the calf had been mercifully put down, quickly and painlessly, unlike Millie’s mother, who found herself wrapped deep within her metal womb, gasoline-for-blood everywhere, unable to be reached or moved, lest she perish sooner?

The cow stared.

                Cate focused on Millie’s silhouette within the animal’s sheeny eye: do​ ​ you understand?​ 

A voice answered the question. Cate couldn’t make out the words, only the harshness of the voice. She sensed an approaching presence, and immediately understood what was happening. In a voice tailored for Millie’s benefit, Cate said, “Please, don’t come any closer,” and resumed mooing along with Millie.

“Officer?” The voice didn’t sound so harsh. Perhaps it hadn’t been at all. Perhaps, Cate decided, she was prejudiced against voices outside of she and Millie’s precious bubble.

Cate sensed the intruder take another step forward.

“I said don’t,” Cate said in her rosiest voice.

“Officer, I need to examine the little girl,” the soft voice said.

The well-meaning plea incensed Cate. She’s fine. I checked her when I pulled her out of the car. Some scratches, a few bruises, but she’s fine. I checked her. And I named her. ​ She knew someone close to Millie must have known her real name, but for tonight, in her arms, the little girl would take the name of the first girl Cate had lost on the job.

Footsteps crunched behind them.

“Don’t,” Cate emphasized, momentarily breaking her character of utter serenity. Before the intruder could interject, she added: “I—just give us a few minutes, okay?”

And then what? ​ she thought.

               Once again, she caught Millie’s silhouette in the cow’s eye. Do you have a father?

Grandmother? Grandfather? Uncles? Aunts? Anybody? Do you know your name?

What would become of Millie when Cate decided enough “few minutes” had elapsed?

What would become of the little girl when the cow was gone?

The intruder’s footsteps—a paramedic just trying to do her job—retreated, but Cate sensed she hadn’t gone far; Millie did​ ​ need to be examined.

She realized the screaming had died. It made sense to her, not because the outcome was inevitable, but because the paramedic now had time to check on the only survivor.

But they still had a few minutes.

And so Millie mooed.

Cate mooed with her.

The cow stared at them.

Pencil

Alfredo Salvatore Arcilesi has spent the decade penning award-winning short- and feature-length screenplays, while working as a full-time artisan baker. His short stories have appeared in over 50 literary journals worldwide, and he was a finalist in the Blood Orange Review Literary Contest. In addition to several short pieces, he is currently writing his debut novel.

Thumb Out

     by RC DeWinter

i have no car
and i’m in desperate need
of a ride
and i’d like you
to be the one to drive me


crazy
over the edge
off the cliff
straight into the mindless abyss
of ecstasy


i want to be the hitchhiker
you pick up
on the side of the highway
that has so many names


call it what you like
i’m well beyond
shame and shyness now


all i know
is that you’re driving
the car i want to ride in
around every curve
and straight on into forever


let me slide in beside you
we’ll drive cross-country
to places neither of us has ever been

Pencil

RC deWinter’s poetry is anthologized, notably in New York City Haiku, Coffin Bell Two,  Winter Anthology: Healing Felines and Femmes, and Now We Heal: An Anthology of Hope. It also appears in2River, Event, Meat For Tea: The Valley Review, the minnesota review, Night Picnic Journal, Prairie Schooner, Southword, and Yellow Arrow Journal, among others, and appears in numerous online literary journals.

Let Me Tell You about the Boy

     by Duncan Mwangi

Let me tell you about the boy who came into my room last month. I’d just come home from work; I didn’t have enough for the bus so I’d walked for what had been two hours. I was in the shower washing out the weight of Nairobi on my joints. As I tried stroking my member to get hard, soap got into both my eyes like spat venom and the water suddenly stopped flowing. I reached for both the faucet and the shower head but all I grabbed was air. A sudden wind was blowing at the soapsuds on my back; I could feel them pop. Then I heard footsteps. I decided to take a chance and open my eyes. The lather made me wince.

There he was, in a black flowy abaya. Everything about him, even in stillness, was flowy. Still, I could tell he was not a boy—don’t ask me how. I was not trying to clock him or anything. He motioned for me to follow him. His fingernails were long and painted a singed-plastic black but I swear to God I knew him somewhere and in that somewhere, wherever it was, he was not a boy.

For a moment, I wanted to scream but I didn’t. I live in a cramped neighborhood with my unit facing twenty to thirty windows thereabout, and screaming while naked was bound to not work out well. Anyway, I knew this not-boy. I just had to remember from where.

I didn’t get a chance to follow him because out of nowhere a blast of cold water was hitting me and once it rinsed out my face, he was gone. As soon I was decently clothed, oiled and ready for bed, I checked around my bedsit but there was no trace of the strange boy.

At night, I dreamt about my mother atop a grassy hill and I was at the bottom. There was the wind; not that I could hear or feel it but because I could see the tall grass stir like stew ingredients in a pot. Or maybe it was the moon doing it the same way it likes pulling at the hems of an ocean like a perturbed child. My mother saw me and waved me to climb up to meet her, but every step I took was a spreading knife on a buttered slice of bread. I could only make three–no—five steps before I ended up back down. It reminded me of high school when I tried to up my grades in Mrs. Kiai’s Chemistry class on a whim (she was a total MILF). I’d be sore with lack of sleep for weeks for a measly B after which I’d slack off and glide back down to my permanent C’s. They were insectile efforts: she barely even noticed.

Eventually, my mother got tired of waiting. She slowly crouched to her knees then lay down on her back. Then akaanza kugaragara. On and on and on, down and down and down, until she was nothing but a hypnotic spiral. As soon as I blinked, my eyes met the brown stain from my ceiling.

It was a bit after seven the next morning. Switchboard was already awake in the next building playing really loud rhumba, which my feet kept getting tangled in as I peeled, diced, washed and roasted five plantains for my breakfast. On my morning shower, I waited for the boy to make an appearance, but all I got was a rising water level that had licked its way up to my ankles by the time I noticed. There was a clog in the drain. The cap was full of wet bits of my hair and some slime. I used an old toothbrush to clean the pores and set it back down. My hands would’ve probably shuddered the whole day if I hadn’t done that weekend Nairobi Water and Sewerage stint in Njiru back in Uni. On those nights I remember being so afraid of getting stink on my bed linens so I slept on the floor with my hands far above my head. While asleep, I’d tuck them under my chin again, and the ghostly smell of human discharge would mischievously stick two fingers up my nostrils and force me awake. The pay was ass but it kept me alive for my classes so I stayed.

With my appointment with you at ten and a mover’s job at one forty-five, the course of my day was pretty much set. I locked up my house and stood on the balcony for a moment. Outside, like a dull fat cloud swallowing a couple of small bright ones, Saturday was coming together. Children in shorts, sandals, sleep lines and saliva stains were running down staircases with clutched fists and back up with bread, hot mandazi, eggs and milk sachets. The sun was vainly checking itself out on every window. Once every five minutes a boda would zoom past, breaking the sound coming from Switchboard’s building.

As I made my way downstairs, a Chihuahua tried to take a nip of my red leather coat on one of the staircases. As soon as its owner had her back turned, I flipped her dog the middle finger. We were now lifelong enemies. If the thing was smart, like a cat, it would probably find a way into my house, take a good long dump on the floor and spread it on my furniture with its paws like it was making a smelly Picasso. That’s what cats do when they hate a person. Kind of like they did my mother.

You were late, which was unlike you. Lagat let me into your office because all the charging points at the reception were full. I had to sit on your black couch and wait. The curtains were drawn and the only sound in the room was the comforting hum of the fluorescent bulb.

I’ve never seen you look sexier than you did when you barged in that morning in a plain white tee, an ocean blue pair of ankle trousers and your braids hanging down like breathing roots on an old tree. You had that fresh-out-of-bed look and traces of your husband were still all over you. It made me go hard, thinking about you and him having done it barely minutes before you got there. Let’s just say that I naturally love being a follower, in all things.

We were deep in the mundane stuff, those meds I was supposed to be taking but couldn’t afford, when I proposed the thing, asked you to peg me like you previously wanted. Remember? I will never forget your face. Every part of it wanted to close up like a fist. Then you found air again and began to laugh. I laughed too, then asked you again.

“We’re doing this,” you said out loud as if for you the fringes of reality were combusting like a photograph on fire.

“We’re doing this,” I promised.

I helped you stack your patient files on the couch and we dragged it across the carpet and right next to the door. It made no sound at all, thank goodness.

I did that striptease routine you liked until all that was left on me was an outline of chest hair and a blue pair of ankle socks. When I got on top of your desk and spread my legs, your laughter was hysterical. “Unakaa kuku porno inazunguka kwa window tao.” Thanks to me, you said, Sonford chicken was on your mind at eleven in the morning and you couldn’t go through with it. Chickened out, you quipped, feeling like you just got a Harvard degree handed to you. After one measly blowjob, I let you dress me and I slumped to the floor and sat sulking on the carpet while you moved the couch and the files back.

I saw the boy again, still in his abaya. He was crouched right next to me on your carpet, staring me down. I broke eye contact, but he didn’t seem to notice, so I waved a hand over his face, but that didn’t register too. As soon as you opened the door for me to leave, it was like he melted into the carpet leaving no stains behind. Not like we did.

I was late to the move at two. The boys patted my back and handed me a couch and shared a spliff between lifts. We’d never met before in our lives. While we were in transit to Machakos, feeling smothered by the truck’s body heat, naming our lost dreams and lost wage jobs, the lifetimes we had spent apart from each other were shed. We learned that to become kin is to share less of blood and more of misery. Once the move was done and we were paid, we decided Nairobi could wait. It was always going to be there anyway. Nairobi is kind of an oxalis; as long as someone pisses on that corner it’ll stay evergreen.

One of the boys had a baggie with him and suggested that we find a secluded spot. The Machakos park grass looked inviting with the sparse lights creating elaborate shadows on it. We could hear the water in the lake swishing and the trees rustling their leaves, like children with rattles who couldn’t use their words. Probably trying to warn someone, anyone, that five men were jumping the fence. The leather coat under me grew moist as I sat on the grass, but I stayed put, as unfazed as the rest of the crew was.

We passed the blunt around and blew smoke at the moon. From the corner of my eye, I saw the moon blow something back. The piece of paper did a dutty wine in the air before making up its mind on the lake. Then it plunged downward, a flapping meteor.

Standing by the edge of the water, ready to receive it, was the boy who was in my room last month. He came up to me, took my hand and led me to the lake. The water was bathtub-silent now. I watch him fold the paper into a plane and toss it back up. It was forcefully snatched from its slow parachuting by a sudden breeze and whipped against a tree bark. It held onto the tree for dear life momentarily, then was pushed off by the wind again, which clearly was throwing a shit fit.

“Do you know how to make one?” the boy asked me. “Every good boy should know how to make a paper plane.”

A memory that was previously hard to recall shoved itself forward and was now within reach. The last week of December 1999 found my mother and I lying on a lot of sacks with maize spread out to dry, about two football fields of it. My mother was knitting another grey beanie hat for school. I was seven at the time, and would lose these woolen head socks—these mboshoris—nearly as fast as I lost skin cells. The old millennium was fast shelling the last of its seconds from its cob. Most of the neighborhood was out of their houses. The Christians were huddled in their iron sheet churches, deep in prayer, with them the fear of mice on a ship caught in a bad storm. The rest of the world was stacking colorful soda crates and black Tusker lager crates on their verandas. Chicken and goat thighs were browning and wrinkling above hot coals every day outside the tenement house.

I pushed out the Mathematics Kasuku exercise book I was sitting on, opened it, plucked a page and handed it to my mother. “I don’t know how to make a paper plane”

She stopped knitting and took the page into her hands. “Every good boy should know how to make a paper plane.”

***

Yes, Soni, the boy was my mother. In the beginning, I said that I could tell that the boy was no boy. While I believed my eyes and the boy they saw, I believed my ears too. I believed the mother they heard. Even before he told me about the cats and the couch, every detail of that story being just like she would have remembered it, I believed him.

He also told me things about my father, who is now living in Nakuru’s leafy suburbia under my sister’s thumb. “We signed the divorce papers thirteen years ago, but we never knew what to do with them so we kept them in his sock drawer. I always meant to take them to the registry every morning when I would leave for work, but he always waited to leave after me.”

“For more than ten years, you could not wake up before him once?”

“Some mornings, I did not want to leave him for a cold bed. On all the others, I did not have enough money to think about leaving.”

A stretch of clouds now covered the moon, giving us privacy. “You are a fertile man,” the boy said out of nowhere.

I told the boy that no boy wants to hear his mother talk about his sperm. “I can be reborn to you as a son, or I can become the wind.”

I’ve never had mixed feelings about having children. The stretch of my life so far is a pit with a deep bottom. No children can grow in it.

As if I had said it out loud, the boy affirmed my train of thought. “Don’t worry. I’ve seen where you live, and I want to relinquish the chance.”

I’m usually high-strung, but I laughed. The boy laughed too. The moon threw back the cover of clouds on its face, revealing that it was also laughing.

***

After promising to join the chorus and chaos of the wind instead of burdening my strange little life, I thought the boy was gone for good.

My mother died many times when I was a child. My father said she was probably listening in on the dead as they gossiped. The part about gossip was true: my mother would have bought chinks in people’s walls if there was such a purchase category in real estate. I wonder what he would think of her current quest to become the wind, to pick up everyone’s private chatter at will. My sister, who had just delivered her first child, told her to quit her charcoal burning business because of the deaths and bring everyone to live in Nakuru. For a firstborn who is a product of hands-off parenting, all Beryl ever does is act like an extra set of hands. Outside of this trait, I must admit that I don’t know much about her. We’re not close.

The dispensary doctor called this sudden death in the night sleep apnea, gave her medication, and made her promise to hire someone else to help. Without Beryl to squeeze free labor out of and unable to stomach the possibility of being grifted by having a stranger as her employee, my mother shut everything down. By the time I was eleven, she had blown through her pension.

When I called home last year a week before she died, she was filing documents for a government relief.

A week after my pact with the boy to leave, I got a free vasectomy in the clinic right below your office. I see the sign many times before whenever the elevator door opens on my way up, the one with the heavyweight dark-skinned man whose clothes fit like bandages. I’ve always wondered if he’s just an agency model or some random guy who was sitting at the reception waiting for his own snip snip appointment, and why he would come in dressed like he was not about to receive a wound. It also beats logic to market an attractive-looking man as unwilling to propagate his genes. Just saying. It’s not a selling point I would fall for.

Anyways, I’d manscaped between my legs. I followed the steps my bunkmate used to shave with; lathering with soap and gently running a razor around the area. His pubic hair used to grow back really fast. Pathogen fast. Him shaving it so openly made for a couple of awkward Sunday afternoons, but I got over it and paid close enough attention to pick up the skill.

I was also in some loose tennis shorts in case things turned out painful. My doctor, a certain Dr. Wangdu, was pretty confident it would be dull pain at best but I’ve learned that my body is often a bitch about things normal people find to be a breeze.

After she was done, Dr. Wangdu handed me some ice in a plastic paper bag and some eclairs. “For your trouble,” she said.

“I have no sweet tooth, or children to give the sweets to,” I said, my words coated in mirth and an aftertaste of irritability from the pain I was feeling.

Right there, clear as day, stretching out a hand to me was the boy. Despite the sudden appearance, he no longer felt to me like an apparition of any kind, really, but just a companion who’d stepped out of the room to catch a breath and a smoke. I did my best not to acknowledge him. Without skipping a beat, I said goodbye to Wangdu and let the boy follow me to the reception to book a follow-up consultation.

When we got to the elevator, I handed him the sweets. “Forget something?”

He shrugged as he opened one, bit into it and pocketed the rest. “I knew that you would probably throw these away. I could not let that happen.” I asked him if he was, in any way, bothered by my vasectomy.

“A little bit, but I get over things now.” Just as well that he added now, for my mother was never the one to talk like that.

“You could have got over me throwing out those eclairs too.” “On that, I chose to intervene.”

Then the boy and I were shit-talking my sister, finding fault in how she liked to feel needed, so needed that on the day the cats came and filled the living room with their poo she cleaned everything up by herself. I did not hear the elevator ding nor the doors slide open.

I did not see you curiously take a peek inside, and wonder who I was talking to.

Pencil

Duncan Mwangi is a Nairobi-based fiction writer, poet, and graduate of the Nairobi Fiction Writing Class NF2W4 2020 run by 2018 Caine Prize Winner Makena Onjerika. His works have been previously been featured on Afreada and The Shore Poetry.