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By Michelle Brooks

At the Molotov Cocktail, we serve
Irish Car Bombs all day, and our
napkins are rags soaked in kerosene.
Disasters unspool on our high-definition
televisions in surround sound – floods,
riots, mass shootings. Take your pick.
This Throwback Thursday, watch
Watts explode into flames at the bar.
Follow us on Facebook to discover
more vintage disasters and other special
offers. Leave a comment on our Instagram
if you have a suggestion for a disaster
you’d like to see. You can be anyone
here- lady killer, femme fatale, innocent
bystander. No one is a victim here. This
place only has so much room, and we
reserve the right to refuse service to anyone.

About the Author:

Michelle Brooks has published a collection of poetry, Make Yourself Small, (Backwater Press), and a novella, Dead Girl, Live Boy, (Storylandia Press). Her poetry collection, Flamethrower, will be published by Latte Press in 2019. A native Texan, she has spent much of her adult life in Detroit.

seabird

By Avante Tulpule

& like windswept seagulls, swelling / into a white sky, until it
heaved / low-bellied & congested /
fell to its knees / & held up by the raucous clutter of wings,

our mothers gathered at the edges of the sea / until the
oceans were littered with their bodies /
push-pulled & thrust back to shore / holding one mouthful of
static.

this is how i imagine i am born; frothing lavender & milky
mucus; white wiped away to blood-
browned life. under the sterile moon / my mother: wet wings,
fluorescent halo.

hunger chokes out my childhood; i call the emptiness girl.
so my mother cups me in her palms / calls me blessing.
so my mother crushes her blue teeth / into powdered
grievings / & i swallow. / & i swallow until
my belly is water-logged and bursting / until water seeps out
of my ears & floods the house with
the stench of desire.

so my mother flees from water-body to water-body.
so i call this lingering home.

i drown my mother; i haul her to the frayed horizon and cast
her to shore.
earth does not accept her / i try to bury her, & she rises from
its depths / a mouthful of sea-salt.
& the ocean push-pulls her / to shore, murmurs she has
spent too long forgetting how to drown /
to surrender.

this is how i imagine a future; in which i emerge, whole /
overflowing. sea-salt lingers on my lips
& crusts over my fingernails; i choke on static / call her
daughter.
the moon, somber, a baleful eye.

i kiss women who fill me with their want / who fill my mouth
with wildflower promises / until i
know why my mother could never go back to the sea. /
water gnaws my body until i am stripped
to my girlhood / night holds me in jagged silence /
streetlights carve my body into flame.

& i am left a name, a hungering.

Click here to read our interview with Avanti Tulpule.

About the Author:

Avanti Tulpule is a high school senior. She would like to thank her family and friends for their support.

I

By Matt Wenzel

In the airstream & the engine, in the de-icing,
juniper, & fumes, you, ghost of x-mas, are there to
keep us from falling. For five hundred years I wet my
lips with zero kisses; I held this pose for 900 winters;
my flesh sought only you, El Niño, for 730,000 days. But now
nine of my heads—this one I drowned; this one I severed with an
open pin; this one cut by windshield; this one starved; this one got
pinched off with a leather belt; this one, by a rail; this one
quit; this one, beheaded; this one I froze off like a wart—
rot in my roll aboard in the overhead compartment with
so much to say, not a lot of breath left to say it.

Today, I go to make a wish for all of them.
Undercarriage, tarmac, drive shaft, constant-
velocity joints, dull glitter falling in stream
white light. A deer hangs from a tree, agape from
xyphoid to groin, heartless & anusless, swinging &
yellow gold illuminated by your halogen, our scratchy
zombie ray. The teeth on the mandibles & craniums gristbite
against the silence & their blackened tongues probe the
briny cranberry mist we sail in. I dream unzip their

cold lips in the house prepared for me.
Demonic, my itching navel is unravelling.
Every calorie is burning. Inverted &
fetus, tail wagging sperm,

grunt, mount, hunt, scent,
heard.

About the Author:

Mat Wenzel is a PhD student in Poetry. He was a 2015 Lambda Literary Fellow. His work has appeared in Puerto del Sol, Glitterwolf Magazine, Penumbra, Guide to Kulchur Creative Journal, Right Hand Pointing, Off the Rocks Anthology, Glass: A Journal of Poetry, Crab Fat Magazine, and Carve Magazine. He earned an M.Ed. from Lesley University and an MFA from Ashland University. He currently has 36 stamps in his National Parks Passport.

That October

By JD Scott

Listen to JD Scott read “That October”:

You wore white slacks and shoes in my bed,
jumped out the second story window
on a bad moon and broke both ankles.

My pubis was a deck of cards with all
the heart suits removed. Climbing
vines grew out my wrists like worry beads.

These are our conjunctions. A boy who comes
and goes as he pleases. An untimely Labor
Day joke. A parable, which starts now:

you will not be permitted my restless hands
which hold each other like the ouroboros,
that dragon who swallows himself forever.

I threw my phone in the ocean, built brick
walls around my bedroom. I saw a psychic
in an alley downtown; she wanted me

to tell you this: you will marry a woman
who warns her children of the dangers
of hair dryers, and I will give birth to wolves.

About the Author:

JD Scott is most recently the winner of the 2018 Madeleine P. Plonsker Emerging Writer’s Residency Prize, selected by Lidia Yuknavitch, which will result in a debut short story collection published by &NOW Books. Recent and forthcoming publications include Best American Experimental Writing, Best New Poets, Denver Quarterly, Prairie Schooner, Salt Hill, Sonora Review, Ninth Letter, Spoon River Poetry Review, and elsewhere. Recent accolades include being awarded a 2018 Lambda Emerging LGBTQ Voices fellowship, attending the Poetry Foundation’s inaugural Poetry Incubator, and being awarded residencies at the Millay Colony and the Edward F. Albee Foundation. They are also the author of two poetry chapbooks. More about JD can be found at jdscott.com.

It’s Vending Men

By Dorothy Chan

I’d love a man vending machine
in the hallway of my celebrity home,
and I know this sounds like an ‘80s
high-concept film starring Andrew McCarthy
in his puppy-dog-eyes-golden-boy-prime
shrunk inside a vending machine
in a department store in Hong Kong,
because this is my version, and have you seen
vending machines in Kowloon malls
with their Korean beauty products
and knickknacks you just can’t live without?
And the lead actress puts in a coin,
and Hottie McCarthy comes to life
as they have high tea in the mall, and honey,
if we’re going to play make-believe,
I’m going all out, with this man
vending machine in the middle of my celebrity home
that’s complete with high ceilings
and koi pond with Zen garden
where I drink jasmine tea in the mornings—
Good Little Asian Girl, champagne
in the mini fridge of my walk-in closet,
like Cleopatra in the cartoons
who had absolutely nothing to wear, ever,
and I’ll need a room that’s all white,
save for the vase of red roses on the center table,
and I hate flowers—stop bringing them to me
when you’re asking for forgiveness, but everything
in life needs a woman’s touch—how I love
playing dream girl to the beefcake-of-the-moment-
Ripped-out-of-the-stud-calendar-let-me-
melt-butter-on-your-abs, sir, you stud
that I got out of the vending machine after swiping 10
my black AMEX, and sure, I was craving
sea salt and vinegar chips and red licorice and a cold cold
cold cherry cola to rub on my breast
because it’s getting very very hot in here,
and you’re looking like a snack this afternoon,
you stud, and I love telling you what to do
as I pose on this faux-fur-polar-bear-carpet
shag, snuggle by the fire, eating rare steaks
and red wine, bloody as hell
in front of the fireplace—classy,
and will you just turn around for me, bend over,
and I like this view, I like this view,
I like this view, and let’s roll around
the rest of this lazy afternoon, a little bit tipsy,
but before your shirtless scene,
why don’t you go to the vending machine,
get me a bag of chips and some strawberry licorice
but always remember—there’s more of you
where you came from, but let’s have fun for now,
and suck on each other’s tongues,
sharing this piece of licorice
Lady and the Tramp style, and there’s more of you
where you came from, in my celebrity home,
complete with heart-shaped hot tub,
and you hunk of man, you, we’ll have a little
afternoon fun before I’m done and I move on
to the next one, insert my coins
for the next flavor, wow this candy tastes good
in your mouth.

Read our interview with Dorothy Chan.

Author the Author:

Dorothy Chan is the author of Revenge of the Asian Woman (Diode Editions, Forthcoming March 2019), Attack of the Fifty-Foot Centerfold (Spork Press, 2018), and the chapbook Chinatown Sonnets (New Delta Review, 2017). She is the Editor of The Southeast Review. Visit her website at dorothypoetry.com.

The Executioner Is Drunk and The Ropes Are Too Wet for Strangulation

By Mike McHone

attention
there will be no hangings today
the executioner is drunk and the ropes are too wet for
strangulation

please proceed to the nearest injection center in a calm and
orderly fashion, single file

after you’ve arrived at the center you will be directed to a
private stall

once you are in the stall, please reach above you and grab
the needle from its overhead position
and place it directly into your arm

one of our customer service representatives will be on hand
should you need further assistance

please secure your own needle first before helping your child
with theirs

once the needle is injected snugly into your arm please lie
down on the table provided for you
assume the christ-like pose and wait for the fluids to be
injected into your body

to repeat:
there will be no hangings today
the executioner is drunk and the ropes are too wet for
strangulation

we apologize for any inconvenience you may have caused

Click to read our interview with Mike McHone.

About the Author:

Mike McHone’s work has previously appeared in The Onion, The AV Club, Playboy, The Detroit News, Neo-Opsis Science Fiction, and numerous independent and online publications. He lives in Detroit with his wife, two cats, a nephew, and a beta fish named Trevor.